Fonts with a Greek character set include the characters and punctuation required to support the modern Greek language.įonts that support Polytonic Greek include additional archaic Greek characters that are useful when setting historical or Biblical texts in Greek language. The Greek alphabet is one of the oldest known writing systems, having been adapted from the Phoenician alphabet about 3,000 years ago. This is the standard character set in most PostScript Type 1 fonts from Adobe.įonts with an Adobe CE character set also include the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian, and Turkish. Adobe Western 2 is the new minimum character set standard implemented in OpenType fonts from Adobe.įonts with an ISO-Adobe character set support most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, and Swedish. Adobe Western 2 also adds 17 more symbol characters: euro, liter, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greater equal, and lozenge. The font combination makes for a clean and quirky pairing that’s instantly pleasing.Fonts with an Adobe Western 2 character set support most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, and Swedish. The slightly innocent smile of Souvenir plays into the strident personality of Futura in a way that lightens the mood of both. So here we have two very different typefaces, from two different time periods, created for almost different purposes, that somehow bring out the best in each other. In contrast, Futura is bold, optimistic, and serious, concerned with modernism and forwardness.įollowing Bauhaus’s principles of futurism, Paul Renner created Futura in 1927, emphasising geometric forms hence we find near-perfect circles, triangles and squares within each letter. It was created in 1914 and envisaged as a throwback to earlier Art Nouveau models. Mixing two such strong typographic personalities is a risk that rarely pays off, as they end up fighting it out.Īllan Haley described Souvenir as being “like Times Roman dipped in chocolate” – playful, goofy and light. If you find a superfamily that includes both serif and sans serif, you have got a ready-made contrast package for font combinations. Serif fonts are slightly more old-fashioned and traditional (examples include Times New Roman and Garamond) and always have strokes at the edges of letters.īy contrast, sans-serif fonts are sleek and modern (examples include Futura and Helvetica) and never have strokes, opting instead for clean lines.Ī robust superfamily will include serif and sans serif variations of the same typeface, as with Lucida and Lucida Sans. It is the salt and pepper of the font world. When done right, contrast is about finding surprising and bold oppositions in a style that brings out the best in each other.Ĭombining serif with sans serif is a classic move for good font combos. Two ever-so-slightly different fonts will rarely work together.
Logo design trends 2023 | 2023 logo design 3d | 2022 logo design trends | design trends 2023Īs with colours, typefaces will often conflict if they are too similar (imagine pairing hot pink with dark red).
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